written by Mary Paterson
Category: In Response
Runes from ruins
On Ways of Knowing, by Emergency Chorus
Big Finish
Big Finish by Figs in Wigs. Photo: Rosie Powell, Battersea Arts Centre, 2024. by Diana Damian Martin The end is … More
Dancing as a Personal Revolution
by Tallulah Howarth
‘Purity is not an option’
In conversation with Yoojin Lee
Performing Fantasy / Living Reality / Performing Reality / Living Fantasy
Photo: Tiu Makonnen on The Making of Pinocchio by Rosana Cade I have an ongoing queer love project making art … More
A ripple, a river, a flood
on Bodies, by Ray Young
Happiness (was a cigar called Hamlet)
on The Talent by Action Hero and Deborah Pearson
In response to ‘The Following Body’ by Tatiana Kocmur
written by Alexandra Baybutt
On value, and values
by Mary Paterson
What we (don’t) talk about when we talk about pain
On Tanz, by Florentina Holzinger, at Battersea Arts Centre, by Maddy Costa
Civilisation
by Maddy Costa
Backwards into the Future
by Maddy Costa
The sun set one minute ago
by Adriana Disman
Song, noise, cicada, rattlesnake
a thought on Branden Jacobs-Jenkins’ Appropriate, by Maddy Costa
A small pocket of resistance
Reflections on Hold Everything Dear: Performance, Politics and John Berger, by Maddy Costa
A past unknown / not mine / related
A response to Tara Fatehi Irani’s Mishandled Archive at Toynbee Studios, March 2019, by Maddy Costa
Archives of Now: Edge of an Era Commission
by Diana Damian Martin and Mary Paterson for Something Other
Anton Mirto: The Army
“The Army”: Anton Mirto
Marathon
by Diana Damian Martin
Something Other 